Maqam · bayati

Bayati

بياتي
beginner
Composition
Sayr · مسار · melodic progression
Ascending
Ascend through Bayati jins (D, E♭½, F, G) emphasizing the half-flat 2nd, reach ghammaz (G), continue through Nahawand upper jins
Descending
Descend from upper register, rest on ghammaz (G), resolve through E half-flat to tonic (D)
Common modulations
Pathways most regularly heard in performance.
Rare modulations
Less common but documented in the repertoire.